Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Thursday, April 18, 2013

The Ulimate Maximalist

I've contemplated deleting this blog, because, let's face it, I don't write anything substantial. I am the white noise of the internet and nobody needs that. But then I read about some exciting news that gave me all these feelings I just had to write about!

"Christian Lacroix will design a couture collection for the house of Schiaparelli." They're trying to revive the Schiaparelli house and this collaboration with Lacroix is one of their attempts at it. Although, for now, it's just one collection, I'm still extremely excited for Lacroix to be designing again, and that it's couture is just the icing on the cake! They have yet to name a creative director for the house, but my fingers are crossed that they give it to Lacroix. Who better to revive a house than an already adored designer? 



See, my adoration for Lacroix is like nothing else in this world. He was that one designer that really got me into fashion, and y'all know how much I love fashion. As a preteen, I would watch Fashion TV in our kitchen and whenever I liked a collection, I would write down the name that flashes at the end of every one. Always it would be Lacroix that filled my notepads. All that flash and pizzazz, how could I not admire his creations? 




I call Lacroix a maximalist. because he is that. That's why I fell in love with his designs. Although, at that age, I also liked Cavalli and D&G, Lacroix is different. Sure, anyone can do extravagant, but Lacroix makes opulent. He can put in lace, gold, sheer, neon in one look and you'd still marvel at its elegance. I want to be able to look at a garment and marvel at something new each time, and that's what a Lacroix piece does. 


One thing about Lacroix pieces is that they made great editorials: that can't be denied. They're such characters on their own, and they tell such a story that even if you just photograph it on a white background, it would still catch your interest! 


Most admirable about the designer is he stuck to his vision. He had to eventually close down his house, but admirable, nonetheless. In 2009, his house filed for bankruptcy. We always end up losing the true artists in fashion, usually due to their creations not selling. And it's a sad reality that not everyone can afford and appreciate a 30 layer lace hand embroidered gown. But this is a song I've been singing since I could sing. What's new? Money rules the world, not art! So even if they do name Lacroix creative director for Schiaparelli, I'm afraid there won't be the same extravagance that we so loved back then. Especially now, when everyone's mad for Celine and Raf Simons. I'm always hoping maximalism comes back, though! And if anyone can make it happen, it's Lacroix!






Monday, February 25, 2013

NB

Recently, I've noticed that the menswear photos on the internet are proliferated by men in New Balance sneakers. I was, like you probably are now, surprised to see that this was becoming a trend and that *gasp* it actually looked.... good? Also like you, I conjure images of my father when I think of New Balance sneakers. He used to own a pair and we used to make fun of him for it. Now, I suppose, he gets the last laugh, because I have to beg him to buy me my own.

I've been telling my male friends to buy themselves New Balances just so I could be stylish vicariously through them. But everyone of them doubted my trend forecasting abilities, so I decided that I would prove them all wrong and buy myself a pair. Also I decided to make this blog entry to also convince you, readers (all ZERO of you) to maybe hop in on the bandwagon!



So originally, it was the men who wore New Balance often....




But the ladies have really made this style into their own....



They DO look cool, don't they? And just imagine not having to sit every ten minutes from blister pains! I just got more excited about buying a pair! 

Friday, January 25, 2013

Fashion of the People

The 'democratization of fashion' is a term dropped freely these days. Let me illustrate. Every once in a while (and yes, it happens this often now), the fashion people of the internet would be divided. There's the side of the believers and the side of the non-believers. I like to call it fashion civil war. I'm talking about every time designers collaborate with fast fashion retailers. The most recent one, the H&M MMM collab, was probably the one which really surprised everyone. Martin Margiela made clothing that would puzzle the average person. Put it simply, his label* would be one of the least likely, if not the least, to collaborate with a fast fashion retailer. As expected, it generated polarized reactions. I was on the side of excitement when I heard about it. Although I had no intentions of buying the collection, I was still curious to see how they would interpret the label's aesthetics to cater to the H&M costumer. It wasn't until I had a chat with a friend who had a different opinion that I realized maybe what I am so excited for could be the very thing that destroys what I love-- fashion.

Talking about a love for fashion is really embarrassing for me; even more so when I have to reiterate that nope I don't just love fashion, I love high fashion. It seems so snobbish and pretentious. But I'm a university student living in a third world country. I can't afford to be snobbish. So of course, I enjoy very much when fashion tries to get down to my level. $50 Lanvin skirt? Don't mind if I do! $90 Karl Lagerfeld? I'll only have to skip 8 meals instead of the 80 that I would have had to if I were to buy real Lagerfeld! I would get to wear Comme des Garcons and not lose all my friends in the process because of how insane they would think I look? See, it really seems like designers + fast fashion = the best of both worlds! But can we really have both things and not have them taint each other? Well according to T.S. Eliot, "what happens when a new work of art is created is something that happens simultaneously to all the works of art that preceded it." (Damn, look at me applying my Literature training~)

Going back to the H&M MMM collaboration, which I think is perfect in illustrating my point, I believe a history check is in order! Try to google Martin Margiela and look for a photo of him. Yup, it's that hard. It's because there are only few in existence. He is, even to his fans, elusive. He has managed to keep away from the spotlight and grant little interviews. He doesn't even do the usual bow after presenting a collection. Mr. Margiela respected his designs enough to let them stand on their own without any advertising. His was a name that only the real lovers of fashion recognized (At least before Kanye West). So you could see how odd it was that his label would compromise this principle? And for what? More money? Does a fast fashion collaboration even make bank? Or is the label trying to get its name out there to expand to a new market? If so, then that would mean compromise. I have to shed a tear for the loss of true artistry. It was a sad time when Mr. Margiela stopped designing, but one gets a feeling of offense now that they're disrespecting what Mr. Margiela so firmly believed in. And maybe we could let it slide if it were someone like Lazaro and Jack or the Mulleavy sisters (who ridiculously enough have an ongoing collaboration with Starbucks), but Mr. Margiela has contributed so much to the art of fashion that it's blasphemous, almost, and disrespectful to use his name and produce something he would not agree to.

I cannot go on being euphemistic, because there really is an inherent elitism in fashion that is impossible to tiptoe around. Fashion is not for the majority. If it was, then it wouldn't really be fashion. My professor was explaining how business and art don't really mix, because the majority will never really understand art. But it's unfair and inaccurate to assume that high fashion is pure and untainted. High fashion has to break its back to cater to what the people want too. I could recount the heartbreak of seeing designers, true artists and visionaries, lose their jobs, because their work was too inaccessible and difficult and expensive to produce. In fact, so many of my favorite designers have lost their jobs over this. At the end of the day, money still makes the world go 'round. Fashion is not like sculptures or paintings; it is art that is utilizable and necessary. Therefore, everyone is involved in the discourse of fashion, and people participate in this discourse by buying.

On the other side of the spectrum is fast fashion. It may seem that I have shown disdain towards it, but I honestly don't. I don't love it either. I don't enjoy knowing that so many people know where I bought my clothes and that they own it too. But then again, I cannot afford Dior or Balenciaga. I don't think I'd even spend that much on dressing myself considering how much I hate doing it. I do however admire fast fashion for  giving people that alternative to expensive designer brands. Sure, it's sad that people don't understand the designs, that these are copied designs that they're buying, who actually conceptualized the trends, but for people who don't really give fuck all about fashion, it's great! Not everyone should care about fashion. It won't cure cancer or anything. And copying isn't a mortal sin. Every designer copies, even the high fashion designers! That's the thing about fashion is that you cannot copyright your designs. So, good on fast fashion for being there for the masses. But I would never think of fast fashion clothing as chic. If it's mass produced, then it's not really "fashion", in my opinion.

A little while ago, I made a post about fashion blogs and put that The Devil Wears Prada quote where Meryl Streep basically says that it's the high fashion people who dictate everything in fashion, including the ugly ass two dollar blue jumper that Anne Hathaway was wearing in the scene. I believe it's true! So does this mean I don't think that there is democratization in fashion? It may seem that way, but not entirely. Everyone's always talking about fashion bloggers who are given front row seats and after party invites. Bryan Boy, for example, is a boy from my high school who is now one of the most famous fashion bloggers today. He went from third world to first row fast! How democratic of the industry to let him in, huh? It's these normal everyday folk who suddenly get a say in fashion that tell that maybe fashion isn't so elitist anymore. The fact that I can dedicate a blog to the fashion industry means I've been granted access to a lot of information and it's all thanks to the internet. Some designers, notably Tom Ford, decide to close off their shows to the media, but what happens? He usually gets torn to pieces for being "an elitist douche." (Let's be real, he is) A lot of people are more open than not. Just count how many shows Tavi gets invited to! But fashion has a long way to go before we can actually say it's democratic or even accepting. With the industry's fat shaming and racism, high price tags and sweat shops, it remains very problematic and restrictive.

Everything is relational. The more democratic some parts of fashion are, the more elitist the other parts seem. And aren't those the ones we love the most: The purists, the nonconformists, the sticklers, the ones who stand their ground, the ones who don't sell out, the ones who stay true to their visions? The Miuccias and Yohjis and Anns and Reis and Ricks. It's great to want to make a lot of money and have your brand be known by everyone! But it's also great to have a small solid group of admirers who share your vision. It was a sad day when Margiela left his label and an even sadder day when they decided to go against his convictions. These purists are the minority in fashion and it's disheartening to see them leave.

So today's fashion is completely different than it was. There's the crazy fast trickling down of trends from De la Renta to Zara and then Forever 21 the next day! There's also the untarnished high brow stuff that tips the scale to art rather than money making. All these come together to become the state of fashion today. You know, thesis + antithesis = synthesis? (Damn, who would have thought learning Critical Theory would apply so much to fashion?) That kinda shit. And although I seem to favor the side of the select, I don't wish it on every aspect of fashion. I, for one, am glad to be witnessing and being part of fashion right now, where I can see live shows with just a click of a button. Where would I be and what would I be doing right now if fashion wasn't so unrestricted? Probably unable to write this blog post!

*Martin Margiela no longer designs for his namesake label but the house continues to make clothing in the same vein (up for debate but y'all get what I mean)

Tuesday, January 22, 2013

I Dabble in Menswear

Menswear is foreign territory to me. In the years that I have been interested in fashion, I never cared for menswear. It just seems so limiting compared to womenswear. On the one hand, you could say that that is what makes it so interesting. When people are given little leeway, it forces them to create something new out of what they are given. There's really more challenge in menswear to be able to produce something fresh. I enjoy a lot of theatrics and drama in fashion, so I was never really drawn to menswear. However, through the maturation of my tastes, I have learned to enjoy more constructed and minimalist designs and so I thought I would finally check out the side of menswear (where I figured they relied heavily on tailoring and fit to improve a garment). (Who am I shitting? The reason I got into menswear was for the male models) (I am a fashion scholar, I do what I want!) I'm still a n00b at understanding and appreciating menswear and I can never form comprehensive critiques about the collections other than "I like it" and "Wow this blows"

But anyway, I still humor myself by looking at all the menswear collections! Some of my favorite designers do menswear too so I always like to see what they come up with. But then there are always those who only remind me how little I understand of this niche that is menswear. This season there were these:

Damn it I shouldn't have told all those chicks to watch me model!!


This needs no caption

Oh my god!!! Perfect outfit for our Lego Land x Astronaut cosplay!!

I'm Medusa's defective twin brother

I don't even fucking know what's happening man I'm just so scared

Prince and Lebron had a gayby

Biker snail

Uh the extravagance of my mustard cashmere juxtaposed with the garbage behind me is ART

Feel bad for this guy

In what planet would any of this work?
Remember Plank from Ed Edd and Eddy? He met Rick Owens

Why do even have to separate menswear from womenswear if they won't follow the norms???

This is the male equivalent of the alt girl look: gown + chuck taylors

Prince and Edward Scissorhands have a gayby

#fashin!!!!!


But in all seriousness (maybe not in ALL seriousness, it is fashion after all!) I do find some menswear collections to be thoroughly enjoyable! Not all of them befuddle me. This season, I enjoyed the quirky prints and textures inspired by John Waters from James Long. The stained glass print pieces from Alexander McQueen were  amusing, although sometimes I feel as if my bitterness towards Sarah Burton clouds my judgement. Maybe she's actually a good designer or maybe she sprung from the devil's asshole to destroy all that Lee worked his precious life for. Richard James showed a collection of posh suits and deep colored sweaters. It kind of has that aesthetic of a rich party Italian older guy who refuses to bang you in his Mercedes because he doesn't want to get stains on it. Lee Roach presented an almost monochrome collection (a few pieces were in very very dark blue). I always say this: I think boys look excellent in black. The few tiny buckles that permeate the pieces have become the centerpiece of the collection. That and the padded jackets are stellar. Contender for my favorite collection this season. Prada was good, but did not have an obvious theme unlike previous seasons where you would be able to identify the clothes as Prada when you see them worn. The knits and prints at Missoni are always great. Now that's a brand with an identity! Julien David showed a very cool collection with a streetwear flair. Givenchy was like 7th grade when everyone tied their jackets around their waists, but a billion times chicer with less zits and metal mouths. I apologize for this giant paragraph of nonsense, but it'y my attempt at critiquing menswear. Deserving of a mention is Hedi's return to menswear. I wasn't into high fashion when Hedi had his heyday so I can only take people's word for it when they say he was a genius in menswear. But after his blah debut for SLP (previously YSL) and his cookoo behavior, I find it hard to believe. I was still hoping to be proven wrong, but after the presentation of his first menswear collection for SLP, I stand by my opinion of him. I see his vision, because everything in the collection was so extremely cool: from the indie musician models to the music. I am very much attracted to the whole rocker aesthetic that permeates everything Hedi creates, so it puzzles me why I can't get behind his designs (although I found that I do like his work at Dior Homme) and his god damn photography style. But enough about disappointments! You're making the pirate sad!

Sad pirate :(


Ahh okay, enough jokes! I'm actually starting to love menswear more now that I see it's not just suits in different colors. The more ridiculous, the better, as I like to say. Obviously I've a long way to go before I can understand menswear. Remember when I was 13 and I used to think Roberto Cavalli was excellent? LOL. It takes time for people's tastes to mature and I just haven't gotten there yet with menswear! But it's so fun learning about something new! Maybe by 2014 this blog will be dedicated to three piece suits and Nick Wooster. We'll see!

Friday, October 5, 2012

ss13

It's some sort of cruel joke from the gods that my finals always have to coincide with fashion month. It's the reason why I look 5 times more harassed than the average college student. I used to write such detailed posts about the collections but now I'll be condensing it to one post. Besides, I'm doing this during my one hour study break. How typical is it that I'm exerting so much more effort into this than my Economics review?

I can't form an objective opinion on this season, because, by the time Milan rolled around, I was just so damn exhausted. Definitely enjoyed all the drama that this season was just full of! I missed Stefano for YSL, though. Hedi was such a flop! Ruffles were all over the shows, but it was only Givenchy that made me a believer in them. There were some excellent collections from new labels. Eudon Choi made great boxy jackets paired with sexy slit skirts. Thomas Tait is a newcomer that I have loved since his first show and he continues to deliver. Dion Lee always brings in his excellent draping, but this season, he combines it with more structured pieces. Markus Lupfer's presentation showed how to make shiny chic-- I would wear every single piece. Dries Van Noten revived plaid in see through fabrics. 3.1 Philip Lim did the same in a few of his pieces. I never thought plaid could be something other than just grungy. 

There were also a lot of disappointments this season. For one, Hedi's debut of YSL or SLP was a huge let down. I do not know of his work in womenswear prior to this season, but I know he is lauded for his menswear in Dior Homme, so I expected a lot-- at the very least a good androgyny themed collection. It ended up being a dark boho cowboy mix that would pass for a Rachel Zoe collection. I did like the pants, though. Raf's RTW debut for Dior was also not as great as I was hoping for. I would give it a 7/10. The models kept tripping on the runway, which made for an exciting show. I also did not like Lanvin. Alber consistently makes great clothes, and he did make good pieces this season, but it seemed messy. I wish he had left the boxy trend alone and stuck to what he does best. Margiela was more commercial this season (probably to ease people into their H&M tie up). It was actually the good kind of commercial: clean and subtle. Proenza Schouler did nothing for me. I found the leather patchwork to be abhorrent, but the digital print dresses were very good and almost saved the show! 

To conclude, I think my favorite things from this season are that there was so much drama and also the fact that there were a lot of surprises when it came to which collections I liked and didn't like. I'm glad to be taking a break from the sleeping late to watch livestreams and rushing home to look at runway photos!


Top 5 Collections (in no order):
  1. Dries Van Noten
  2. Alexander Wang
  3. Haider Ackerman
  4. Givenchy
  5. No. 21
Top 5 Models:
  1. Julia Nobis
  2. Antonina Vasylchenko
  3. Hedvig Palm
  4. Kel Markley
  5. Nastya Kusakina
Top 5 Dramas:
  1. Simons vs Slimane showdown (with Simons as the clear victor)
  2. Horyn vs de la Renta "hotdog" "hamburger" debacle
  3. Slimane vs the rest of the fashion world
  4. Slapping at Zac Posen
  5. YSL to SLP to SL mix ups
Favorite looks:



Wednesday, August 8, 2012

Happy Feet

It's been a crazy couple of days here, and not because I've been doing a lot of things, but because the country is literally about to be submerged in water. It isn't anymore such a surprise when a storm this damaging hits the country. I actually expect one every year. It is sad that so many people are losing their homes and loved ones, because of poor drainage systems, pollution, global warming, etc. I haven't had classes since Wednesday and won't be having them until Saturday, so I've been getting school work done. Hopefully, by tomorrow, I'll be finished with my requirements and I get to help in packing and giving out the relief goods to the victims!

For the past few weeks, getting dressed has been a real treat for me, because I love layers, and the rainy season is the only time I get to wear them!  But footwear was such a hassle, because my shoes would fall apart when they got wet from the rain. After weeks of searching for rain boots, I couldn't find any decent ones being sold in the Philippines. So I just dreamt of the rain boots I have always wanted but could never afford. Surprisingly, not enough designers make rain boots. I guess millionaires don't have the problem of flood waters. For those of us who can only dream of braving the rains in Prada, I've made a list of my top 5 most coveted rainy day footwear!


1. Prada Fall 2009



2. Acne Pre-Fall 2012






3. Louis Vuitton Fall 2011

 

 or DSQUARED Spring 2012



4. Margiela Tabi


 

5. Cheap Monday Spring 2011



 What are you donning to keep your feet dry this season? xx